Matilde Serao
Italian journalist and novelist
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Matilde Serao | |
|---|---|
 Photograph by Giacomo Brogi (before 1909) | |
| Born | (1856-03-14)14 March 1856 Patras, Greece |
| Died | 25 July 1927(1927-07-25) (aged 71) Naples, Kingdom of Italy |
| Spouse | Edoardo Scarfoglio |
Matilde Serao (Italian pronunciation: [maˈtilde seˈraːo]; Greek: Ματθίλδη Σεράο; 14 March 1856 – 25 July 1927) was an Italian journalist and novelist. She was the first woman called to edit an Italian newspaper, Il Corriere di Roma and later Il Giorno. Serao was also the co-founder and editor of the newspaper Il Mattino, and the author of several novels. She never won the Nobel Prize in Literature despite being nominated on six occasions.[1]
Biography
Serao was born in the Greek city of Patras to an Italian father, Francesco Serao, and a Greek mother, Paolina Borely (or Bonelly).[2][3] Her father, a Neapolitan journalist, had emigrated to Greece from Naples for political reasons.[3][4]
In 1860 the family moved back to Italy, first to Carinola and then to Naples. Serao grew up in poverty and worked as a schoolmistress, an experience later described in the preface to a book of short stories called Leggende Napolitane (Napoletan Legends, 1881). She first gained notoriety after publishing her short stories in Il Piccolo, a newspaper edited by Rocco de Zerbi and her first novel, Fantasia (Fantasy, 1883), which established her as an author capable of writing with sentiment and analytical subtleties.
She spent the years between 1880 and 1886 in Rome, where she wrote her next five volumes of short stories and novels, all dealing with the struggles of ordinary people, and distinguished by great accuracy of observation and depth of insight: Cuore infermo (1881), Fior di passione (1883), La conquista di Roma (1885), La Virtù di checchina (1884), and Piccole anime (1883).
With her husband, Edoardo Scarfoglio, she founded Il Corriere di Roma, the first Italian attempt to model a daily journal along the lines of the Parisian press. The paper was short lived, and after its demise Serao established herself in Naples where she edited Il Corriere di Napoli. In 1892 she co-founded Il Mattino with her husband, which became the most important and most widely read daily paper of southern Italy. She established and ran her own newspaper, "Il Giorno" in 1904 until her death. The stress of a journalistic career in no way limited her literary activity; between 1890 and 1902 she produced Il paese di cuccagna, Il ventre di Napoli, Addio amore, All'erta sentinella, Castigo, La ballerina, Suor Giovanna della Croce, Paese di Gesù, novels in which the character of the people is rendered with sensitive power and sympathetic breadth of spirit. Most of these have been translated into English. The late nineteenth century English novelist George Gissing read three of her works in the original Italian between November 1894 and early January 1895, namely "Gli Amanti", "Cuore Infermo" and "Fantasia".[5]
Serao was a signatory of the 1925 Manifesto of the Anti-Fascist Intellectuals.[citation needed] She was one of the contributors of the Fascist women's magazine, Lidel.[6]
She died in 1927 in Naples.
Publications
Novels and novellas
| Short story collections
Essays
Other writings
Works in English translation
|
References
- ^ "Nomination Database". www.nobelprize.org. Retrieved 2017-04-19.
- ^ Romani, Gabriella (2006). "Matilde Serao (1856–1927)." In: Encyclopedia of Italian Literary Studies. New York: Routledge, p. 1735.
- ^ a b Warner, Charles Dudley (1896). Library of the World's Best Literature: Ancient and Modern. International Society. p. 13133. ISBN 978-0-8108-0521-7.
- ^ Knapp, Bettina Liebowitz (2000-01-01). Gambling, Game, and Psyche. SUNY Press. p. 129. ISBN 978-0-7914-4383-5.
Matilde Serao ( 1856-1907 ) was born in Patras, Greece, to a Greek mother and to a Neapolitan journalist father who had been forced into exile in 1848 because of his anti-Bourbon stand.
- ^ Coustillas, Pierre ed. London and the Life of Literature in Late Victorian England: the Diary of George Gissing, Novelist. Brighton: Harvester Press, 1978, pp.351-3.
- ^ Eugenia Paulicelli (2002). "Fashion, the Politics of Style and National Identity in Pre-Fascist and Fascist Italy". Gender & History. 14 (3): 552. doi:10.1111/1468-0424.00281.
Further reading
- Gisolfi, Anthony M. (1967). "The Dramatic Element in Matilde Serao's Little Masterpieces," Italica, Vol. 44, No. 4, pp. 433–445.
- Gisolfi, Anthony M. (1968). The Essential Matilde Serao. New York: Las Americas Publishing Company.
- James, Henry (1914). "Matilde Serao." In: Notes on Novelists. New York: Charles Scribner's Sons, pp. 294–313.
- Kennard, Joseph Spencer (1906). "Matilde Serao." In: Italian Romance Writers. New York: Brentano's, pp. 273–301.
- Russo, Teresa G. (1997). "Matilde Serao: A True Verista for the Female Character," International Social Science Review, Vol. 72, No. 3/4, pp. 122–135.
Sources
This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Serao, Matilda". Encyclopædia Britannica (11th ed.). Cambridge University Press.
External links
Wikimedia Commons has media related to Matilde Serao.
- Matilde Serao at the Women Film Pioneers Project
- Works by Matilde Serao at Project Gutenberg
- Works by or about Matilde Serao at Internet Archive
- Works by Matilde Serao at LibriVox (public domain audiobooks)
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