Đorđe Krstić

Đorđe Krstić Ђорђе Крстић
Born	(1851-04-19)19 April 1851 Kanjiža, Voivodeship of Serbia and Banat of Temeschwar, Austrian Empire
Died	30 October 1907(1907-10-30) (aged 56) Belgrade, Kingdom of Serbia
Nationality	Serbian
Education	Academy of Fine Arts, Munich
Known for	Painting
Notable work	Anatom (1880) Pod Jabukom (1883)
Movement	Realism

Đorđe Krstić also Djordje Krstić (Serbian Cyrillic: Ђорђе Крстић, pronounced [d͡ʑɔ̂ːrd͡ʑɛ kř̩ːstit͡ɕ]; 19 April 1851 – 30 October 1907) was a Serbian realist painter and academic.^[1] He is often ranked alongside his contemporaries, Paja Jovanović and Uroš Predić.^[2]

Biography

Krstić finished his education in Munich, Germany,^[3] where he began his early works under the influence of German realism up until 1883. Some significant works of this early period include The Drowning Maiden, Anatomist, and The Gospel Writer.^[4] In Serbia, Krstić moved his style of painting from a realist tone to a more idyllic one, with paintings such as Kosovo Field Landscape, From the Surroundings of Čačak, From Leskovac, Studenica, and Žiča. In his later years, Krstić began painting a number of iconostases in Čurug and Niš, working with architect Mihailo Valtrović, of which include the controversial Death of Prince Lazar.^[5]

Krstić painted more than 50 works based on Serbian folk art and traditional clothing.^[6]

Legacy

He is included in The 100 most prominent Serbs list.

Gallery

• 
  Drowned, 1879
• 
  Studenica monastery, 1881-1883
• 
  Na izvoru, 1882
• 
  Saint Sava blessing young Serbs, 1891
• 
  Babakai, 1892
• 
  Milan I of Serbia

See also

• List of painters from Serbia
• Serbian art

References

Wikimedia Commons has media related to Đorđe Krstić.

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